Love in the car is of all times, of all models of vehicles and of individuals, of all fantasies, perhaps not of all ages, but at the time of old age that is less promising rough, anything goes.

Before starting, it is necessary to have in mind some data.

According to the penal code, “sexual arousal imposed on the sight of others is punishable by one year’s imprisonment and a fine of 15 euros”.

Today, unlike in older times, it is better to stand still. By driving during oral sex, for example, the usual driving reflexes (automobile) may be hampered and many accidents have already been recorded.

Using a taxi or a neighbor’s or friend’s car can be the source of immediate or later relationship difficulties.

Finally, the trunk is not the ideal place.

The psychoanalyst sexologist Cécilia Commo provides details. 

Experiencing a new situation causes the secretion of the neurotransmitter dopamine involved in pleasure and motivation. Practicing the forbidden causes the secretion of adrenaline leading to intensify the arousal. Making love in an unusual place while taking the risk of being surprised is doubly exhilarating.

Five-star comfort is ensured by the Utility car in which it is possible to provide a mattress.

Le 4X4 ou the Mehari are less comfortable but allow the escape far from the paved streets and squares and the beaten paths on adventurous roads (even more pepper).

The Smart, the Mini and the Fiat 500 should be reserved for excessively flexible anatomies, allow easy parking and guaranteed discretion; they are often the scene of quickies (from the English “quick” = rapid sexual intercourse when it is not rapid ingestions of alcohol, the two not being incompatible).

La sports car is sexy but adapts poorly to lovemaking.

La Limo with tinted windows is to be reserved for special occasions and large purses.

Let us add that these marvelous automobiles can lead lovers to a monument, a garden or a sunset inviting ecstasy.

The “Carma” -sutra, (from the English “car” = car). While you are riding it is always possible to start the preliminary caresses but as soon as the fellatio is tempting, you might as well stop.

The most classic is the back seat, which sometimes is useless and offers all the possibilities. Remember to move the front seats forward. The “missionary” and the “doggy style” are to be privileged in this place.

In the front seats, Monsieur is seated comfortably. It’s the same principle as having sex on a chair. Madame sits on him, either face to face (position of the Andromache- poor Hector- or Amazon) or from behind (inverted Andromache).

In the driver’s seat, the steering wheel can be used to lean back and hook into the seat, which helps promote overlap.

In the passenger seat, there is more room but less “hooks”. Remember the possibility of tilting the front seats to vary the angles of penetration. You can use, if necessary, ventilation, heating or opening the windows.

On the outside, the front and rear hoods offer pleasant spaces in good weather, horizontally or vertically by leaning against the bodywork.

Amorous transports, to which Corneille or Racine allude through their works, have little in common with transport lovers, but since the world is world, physical love likes to borrow squared mobility: the coming and going of bodies. to the rhythm of a vehicle.

The lascivious Romans offered themselves to the gladiators on thinly veiled litters.

Sixteenth-century Italian padded carts displayed evocative oscillating movements. 

For the stagecoaches of Sade, the libertine coaches of the classical age and the Casanovian mail trunks.

The images that come to mind evoke the alliance of physical pleasure at the speed of four wheels. 

The images shaped by literature or filmed in movies about sex in the car are often unforgettable.

Between 14 p.m. and 18 p.m., the cab requested by Léon to make love for the first time to Emma Bovary crisscrosses the city of Rouen to immortalize itself in the reader’s mind.

More famous undoubtedly, “The Titanic” (1997) undoubtedly left to the film lovers a history of boat but also of car: one in which Rose and Jack frolic passionately.

Philippe Labro tells us that the white foreign student, in love with his black teacher April, in the 1950s in the United States, invites his loves in danger in his Buick or in his beloved’s Ford.

Other powerful images persist after reading The Life of Catherine M. (Catherine Millet) describing the erotic epidemic raging in car parks following the incessant round of automobiles.

Let’s finish with more whimsical images (could seat belts become sado / maso tools?) Or more burlesque like the untimely triggering of an airbag or a horn whose siren blocks.