Ego: Live Lessons

Looking at TV stars, it is easy to believe that they live in some other world – full of pleasant things, devoid of everyday problems. But such a special position can cause … a particularly strong form of dependence. Looking beyond the screen and first-person evidence.

Millions of eyes are riveted to their faces, the whole country knows their names. As soon as a person appears on a television screen, he immediately becomes an object of increased interest. We want to know everything about him in detail: with whom and where he lives, what car he drives and what clothes he wears. Perhaps this is because we really want to be in his place? Or because we need role models? One way or another, we need these people. But they also need our interest and … become dependent on their popularity.

“They invariably fall into this trap. Everything – practically from the very first shooting, ”says 37-year-old Mikhail (names, at the request of our interlocutors, have been changed). For the last nine years he has been working as an assistant director of information programs on one of the TV channels. Mikhail has seen more than once how TV presenters gradually lost their journalistic enthusiasm, starting to admire themselves, enjoy their fame, and in fact fell into dependence on it. “At first, a person gets worried, worries, memorizes the text, is interested in the impression of others about how he spent the broadcast,” says Mikhail. But gradually he feels more and more confident. At some point, not only his attitude to the profession changes, but also the style of behavior: arrogance appears in his eyes, in his speech – mentoring notes.

“Publicity changes the way of life of any person,” says psychotherapist Margarita Zhamkochyan. – At one point, he finds himself under the eyes of millions of viewers, including critical ones. He lives in a situation of constant stress: his inner world and personal life become available to other people. But at the same time, a feeling of power arises, because the host is constantly present in our house, determines what we worry about and what we laugh at. “This distorts the idea of ​​one’s own importance,” continues Margarita Zhamkochyan. – The person seems to be influential, recognized. And he unconsciously begins to identify himself with this power. When asked who the audience really loves – me or my screen image, he would rather answer: me. Many do not withstand such an emotional burden.

Delight in front of the mirror

“At some point, most presenters seem to lose the ability to critically evaluate themselves,” agrees Zhanna, 41, who has been working as a make-up artist on television for almost 14 years. “Perhaps it’s really hard for them to resist such a temptation, because they see … themselves all the time. And not only on the TV screen. A person cannot run in from the street and immediately record the transmission. Before shooting begins, a whole staff of employees is working on his appearance: a stylist, a hairdresser, a makeup artist. “Hair styling, manicure, makeup, choosing a suit sometimes take several hours,” Zhanna continues. “Everyone revolves around them, courting them, and they constantly see themselves in the mirror.”

In the studio comes the turn of the operator, sound engineer, who are looking for the best angle and sound. From time to time, they run up to the presenter to correct makeup, powder his forehead, remove a strand that has come out of his hair … And after the shooting, the work continues: often the presenters participate in the editing process of the program. In a word, at all stages of work without exception, the TV star constantly looks at himself. “Sometimes, after a few years, a person seems to fall in love with his reflection and only notices a pimple on his nose or the color of his tie,” says Zhanna.

The peculiarity of the presenter’s work is that he is in the center of attention of many people who are obliged to make a “television picture” out of him. That is why they create royal conditions for him. In some cases, he really begins to behave like a king: he may lose contact with reality, believing that in everyday life everyone around him should fulfill his whims. “This does not happen because a person suddenly becomes worse than he was,” says psychoanalyst Marina Harutyunyan. – Changes in his feelings and behavior arise under the influence of a new, higher social status. It is he who gives an incomparable feeling of his own omnipotence. However, it cannot be said that such changes occur only with TV stars. People of any profession can be affected by it – many of us often revel in their power just as passionately. The reaction to changing circumstances depends primarily on the characteristics of the character. So television in itself does not lead to “star disease”, it only puts a person in a situation that allows the qualities that he already had to manifest themselves.

Andrey Dobrov: “Like most TV presenters, I did not escape star disease”

The first time I saw myself on the screen in the Scandals of the Week program, I was horrified. My partner Sergei Sokolov and I were called “wooden men”: it was very difficult to feel organic in the frame due to the large number of restrictions, because there you can only move your hands and change facial expressions. And this is a very meager set for communication. Like most TV presenters, I did not escape star disease. I was sobered by the loss of ether. The feeling was terrible – the year was departing. But even today, with anxiety, I feel that the disease has not yet passed. I try to fight with myself, for example, I ride the bus and the subway. In transport, they learn little, in parks and on the street it’s harder – it’s impossible to walk. When people ask me for autographs, I feel embarrassed and grateful for people who want to express their gratitude. Fame also has other positive aspects. For example, it is easier to build relationships with local authorities. From time to time I look at what they write about me on the Internet. There are malicious statements, for example, about the fact that I am not thin. Well, you won’t explain to everyone that I have problems with metabolism, and in general you won’t be slim if you sit at work from morning to evening. And that in my soul I am a thin brunette with a thin mustache … But I think that if I have to leave again, I will worry for a long time, because this lifestyle is very addictive.

Andrey Dobrov graduated from the Faculty of Journalism of Moscow State University. In 1995, he became the host of the Scandals of the Week program of the VID television company. After a break, he returned to the air as the host of the Dolce Vita program on Channel Three. Since 2001, he has been the permanent face of the Main Theme program (Monday-Thursday at 19.30).

Ethereal Creatures

“And yet, the influence of the specifics of working on television cannot be underestimated,” Margarita Zhamkochyan clarifies. What are these conditions that change the behavior and character of stars? First of all, it is a feeling of colossal responsibility and a constant experience of stress. “Live is sometimes scary,” admits Andrey Dobrov, host of the analytical program “Main Topic” on Channel Three. – Once, during a live broadcast, the editor warned me into the earpiece: “We did not have time to edit the plot, you will have a” hole “in seven minutes.” And I realized with horror that I would have to say something in the frame in order to fill this time. It was a tough test.”

The hosts of talk shows, thematic programs have their own specifics of work: long preparation for the broadcast, memorization of texts, preliminary rehearsals and recording, as a rule, of several programs at once (in addition to emotional stress, one has to withstand the high temperature in the studio – it is illuminated by powerful spotlights) . It is not easy to cope with such a rhythm and load and look calm and confident on the air. That is why they try to create the most comfortable conditions for the TV presenter before and during filming, to protect them from everyday everyday problems. There are special people in the film crew who are obliged to provide him with everything he may need. “If he suddenly wants to not just drink coffee, but eat sushi or some exotic fruit before recording the program, they will be brought to the studio,” says Mikhail. – The assistant director satisfies all his whims. And it’s nice, you quickly get used to it.

Dependence on television is also associated with social and material privileges. The more “promoted” the face of the presenter, the more opportunities he has to receive income from external sources, for example, for hosting a concert or corporate party. For such a “side job” the stars are paid from several thousand to several tens of thousands of dollars. In addition, popularity frees them from many everyday problems: it is easier for them to get an appointment with a doctor, they are issued a passport or visa faster, it is easier for them to arrange a child for school or kindergarten … Many people are happy to provide services to a “famous person”. “At such a moment, it is very important to fix your reactions and feelings, trying to realize new sensations, even negative ones,” says Margarita Zhamkochyan. – Such inner work allows you to “separate” yourself from your image and makes it possible not to become dependent on publicity. New experiences become part of a new identity. Then a person ceases to depend on his status, he loses his power over him.

Ekaterina Andreeva: “Nothing has changed in my life when I became a “face from the TV”

During my first live broadcast, I had the feeling that the pulse was pounding somewhere at the level of the throat and that everyone could hear it. But the audience, of course, did not notice this. I know that once an experiment was carried out: specialists measured the physiological parameters of a team working live. It turned out that the overloads experienced by the leaders are akin to the overloads of astronauts at the start. Although I personally don’t feel such “overloads”: classes with special techniques help me cope with them – tai chi, yoga and breathing exercises. I am a very self-possessed person, if I have any emotions, I know how to hide them. Nothing has changed in my life since I became a TV face. I don’t care if they recognize me or not, what they think of me. It is impossible to please everyone. It’s important to get the job done and not dwell on the popularity that comes with it. I am a journalist and I am interested in other things: did I take the information correctly, did I manage to convey it, did I manage to support people when a tragedy occurs. And how I look or who asks me for an autograph does not matter to me. The statement that live broadcast is a drug, in my opinion, is not true. I know a lot of people who didn’t have withdrawal symptoms after leaving, like drug addicts. If one day my broadcasts end, I will not worry and will build my life based on this change. There is no point in entering the same water twice.”

Ekaterina Andreeva is a historian and lawyer by education. She graduated from the Institute for Advanced Studies for Radio and Television Workers, where she studied with Igor Kirillov. She worked in the Good Morning program, hosted a block of economic news on the Rossiya channel. For the past nine years, Ekaterina Andreeva has been the host of the Vremya program on Channel One (Monday-Saturday at 21.00).

Leaders are not born

When a TV presenter becomes recognizable and popular, others often notice changes in his intonation, look, and communication style. But he himself may well not be aware that his behavior has become different. Moreover, many stars claim that they have remained the same as before. “When the changes in life are too great, we need to feel that something has remained unchanged in our life: we feel the need to maintain the stability of our own “I”, our deepest essence, explains Margarita Zhamkochyan. – By asserting that nothing changes in our behavior or style of communication with others, we spontaneously try to maintain the image of ourselves that we have long developed. Otherwise, we will have to question the foundations of our identity, and we are not ready for this.” In addition, in Russian culture there are common myths that “success corrupts”, “fame (like money) cripples the soul.” “These cultural messages give rise to an unconscious conflict in us: we strive for success and feel guilty or ashamed when we achieve it,” continues Margarita Zhamkochyan. “This conflict makes us unconsciously defensive and refuse to acknowledge the changes that have happened to us.”

Pyotr Tolstoy: “I try to assess myself adequately and with a bit of irony”

I never dreamed of being a TV presenter – it happened by accident, and I did not have the conditions to get sick with star disease. But I understand well what happens to a person when they begin to repeat to him: “You are an idol, you are a star, you and only you!” When you hear something excessively pleasant, there is a great temptation to imagine that you are actually a star. But I try to evaluate myself adequately, therefore, to the words: “You, Pyotr Olegovich, are the wisest of the wisest,” I react ironically. Some presenters say they feel absolutely calm on the air. I don’t believe in this, and during the programs I myself feel a great burden of responsibility, because there are millions of people behind the camera. When I first started working, the excitement was gigantic, but gradually I got used to it and began to feel freer. In this freedom, perhaps, lies professionalism. Live broadcast is adrenaline, without which many of us can no longer live. Therefore, when a person leaves it, it is a blow to the nervous system. But now, if they tell me that there will be no broadcasts from tomorrow, I will not regret it for a second, I will leave without hesitation, and for me this will not be the end of my biography. I have a lot of activities that are not related to the broadcast “Sunday” Time, for example, the duties of the editor-in-chief of the Third Channel. I have many hobbies and friends. But this is how I reason now: it is quite possible that if I really have to leave the air, I will, like many others, worry.

Pyotr Tolstoy graduated from the Faculty of Journalism of Moscow State University and the Higher School for the Training of Journalists in Paris. He worked in the Russian bureau of the French newspaper Le Monde and the Moscow bureau of France Presse. In 1996, he became the producer of the program “Scandals of the Week” on the TV company “VID”, and at the same time he hosted a daily information program on the TV-6 channel. In 2002, he became the host of the weekly final program “Conclusions” of the Third Channel. Since 2005, he has been the host of the Sunday Time program on Channel One (at 21.00).

Silence Trial

“Television is not an art that remains for centuries. If a person is not shown for six months, no one will remember him, ”says Pyotr Tolstoy, host of the information and analytical program Sunday Vremya on Channel One. Many TV stars who remained without air admitted that at that moment they lost a sense of the intensity of life, lost their emotions … They found themselves alone with themselves when no one else recognized them on the street. Describing their feelings, many of them talked about emptiness, depression, depression. “In such a situation, a person can often feel that he no longer exists, due to the fact that he loses the feeling of power over people, loses the opportunity to be reflected in a million mirrors as a recognized, extraordinary figure,” explains Marina Arutyunyan. “But besides this, he is left without his favorite job, in which he could show his abilities, realize himself as a professional.”

Not every one of us can get the chance to become a TV star. But any of us can lose our favorite job, lose the status that gives us a sense of self-confidence. What to do in such a situation? “When it is no longer possible to return to the point where you felt good,” says Marina Harutyunyan, “it is necessary to reconsider the system of your own “I” and try to understand why you can exist only in the conditions that were taken from you. This inner work, of course, is not easy and painful. But sooner or later we will have to build our “I” on some new foundations.

Sergey Brilev: “I’m not afraid at some point to stop being a host and stay behind the scenes”

I don’t feel like a famous person. More precisely, I do not experience any problems with the fact that they recognize me. The most typical conversation is: “Is that you?” – “Yes it’s me”. In everyday life, popularity sometimes helps, for example, to avoid long hours of sitting in line. I don’t understand people who compare live TV to drugs. For me, this is a big responsible job, but I have never had a feeling close to orgasm. Of course, I did not take an adrenaline test after the transfer, but I am sure that they would not have found an increase in its level in me. And I don’t have any dependence on live broadcast, I don’t need a “new dose” either. I’m not crazy about the cameras aimed at me – even in the first days of work I did not experience excitement. It’s just a job, and if it puts you in a state of stress, then you’re worthless as a professional. The most difficult thing in our profession is that when you voluntarily cease to be a public person, no one believes in it. Everyone thinks you’ve been taken off the air. But I, for example, am not afraid at some point to remain without him and be behind the scenes. In my opinion, the most interesting work on television is behind-the-scenes. But I think if sooner or later I change jobs, I will have to explain for two years that it was my own desire.

Sergey Brilev graduated from MGIMO. He worked for Komsomolskaya Pravda and Moscow News. In 1995, he became a special correspondent for the Vesti program in London. In September 2001, he made his debut as the host of Vesti. Today Sergey Brilev is the host of the Sunday final program “Vesti Nedeli” on the TV channel “Russia” (at 20.00).

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