PSYchology

Dina Rubina, author of «Leonardo’s Handwriting», «White Dove», «Petrushka’s Syndrome» about her favorite literary heroes and books to which she returns again and again.

1. What are you reading now?

I have just finished a book by the wonderful Polish writer Marek Hlasko “Beautiful, twenty years old” (B.S.G.-Press, Foreign Literature, 2000). Magnificent humor, complete freedom of intonation, rather bitter attitude towards life.

2. A book that you regularly return to?

These are books by writers who, apparently, somehow resonate intonation with my inner world. Therefore, for example: Chekhov, not Dostoevsky; Nabokov, not Beckett; Brodsky, not…

3. A book that inspired you to be creative?

I started composing so early that I don’t remember who or what pushed me. But the full set of passionate teenage affections passed in due time. As well as youthful — later. Oddly enough, in adolescence, Chekhov’s letters were his favorite. I knew them by heart: “My friends are Tungus!..” and so on… It sets the tone and style great.

4. A book that made you laugh to tears?

Well, it’s not difficult, I’m generally funny and I really appreciate humor, and I’m not a fool to joke myself. At various times, Ilf and Petrov made me laugh, and some passages from Dovlatov, the other day I laughed at a few phrases from Marek Hlasko — he has a very subtle, caustic Polish humor.

5. A book that helped you through hard times?

I’m afraid you’ll be surprised. The fact is that I always go through difficult times very hard, I can’t work, I’m not able to distract myself from thoughts and topics. Oddly enough, the hard times for me are connected with reading, or rather, swallowing detective stories. True, good detectives — to forget.

6. A hero who is close to you?

No, I am not able to isolate and clearly name this and that. At different moments of my life, I have been in love with various literary heroes, including the heroes of my own books — for me, these are absolutely living people. If we talk about today, then, perhaps, like this: I very often return to the collection of essays by Joseph Brodsky. When I read «Embankment of the Incurable», my heart shrinks from love and absolute understanding of every intonation of the author’s «I». Should the author’s «I» be considered a hero? This is a question.

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